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Free Ebook Arabian Love Poems: Full Arabic and English Texts (Three Continents Press), by Nizar Qabbani, Bassam K. Frangieh, Clementina R. Brown
But love nothing remains but. Nizar Qabbani. Once converted, Nizar became an avid reader of Arabic poetry, in both.
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Arabian Love Poems: Full Arabic and English Texts (Three Continents Press), by Nizar Qabbani, Bassam K. Frangieh, Clementina R. Brown
Free Ebook Arabian Love Poems: Full Arabic and English Texts (Three Continents Press), by Nizar Qabbani, Bassam K. Frangieh, Clementina R. Brown
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Nizar Kabbani s poetry has been described as more powerful than all the Arab regimes put together (Lebanese Daily Star). Reflecting on his death in 1998, Sulhi Al-Wadi wrote (in Tishreen), Qabbani is like water, bread, and the sun in every Arab heart and house. In his poetry the harmony of the heart, and in his blood the melody of love. Arabian Love Poems is the first English-language collection of his work.
Kabbani was a poet of great simplicity direct, spontaneous, musical, using the language of everyday life. He was a ceaseless campaigner for women s rights, and his verses praise the beauty of the female body, and of love. He was an Arab nationalist, yet he criticized Arab dictators and the lack of freedom in the Arab world. He was the poet of Damascus: I am the Damascene. If you dissect my body, grapes and apples will come out of it. If you open my veins with your knife, you will hear in my blood the voices of those who have departed.
Frangieh and Brown s elegant translations are accompanied by the Arabic texts of the poems, penned by Kabbani especially for this collection.
Kabbani was a poet of great simplicity direct, spontaneous, musical, using the language of everyday life. He was a ceaseless campaigner for women s rights, and his verses praise the beauty of the female body, and of love. He was an Arab nationalist, yet he criticized Arab dictators and the lack of freedom in the Arab world. He was the poet of Damascus: I am the Damascene. If you dissect my body, grapes and apples will come out of it. If you open my veins with your knife, you will hear in my blood the voices of those who have departed.
Frangieh and Brown s elegant translations are accompanied by the Arabic texts of the poems, penned by Kabbani especially for this collection.
- Sales Rank: #109842 in Books
- Brand: Brand: Three Continents Pr
- Published on: 1999-11-01
- Original language: English
- Number of items: 1
- Dimensions: 9.25' h x 6.25' w x .50' l, .87 pounds
- Binding: Paperback
- 225 pages
- Used Book in Good Condition
Review
Bassam Frangieh and Clementina Brown have done us all a great service by collaborating to create this bilingual volume.... The Arabic is a reproduction of the poet s own handwritten text of the selected poems, indicating the collaboration of the poet in the project as well.... an excellent introductory volume to the work of this icon of modern Arabic poetry for students and aficionados of Arabic and world poetry. --Clarissa Burt, Journal of Arabic Studies
This superbly presented edition ... will well serve to introduce an American readership to one of the finest 20th century poets of the Middle East. --Midwest Book Review
This book is good ... and it provides real access to Nizar Qabbani s poetry.... These translations ... provoke fitting testimony to the memory of the poet. --Stephen Watts, Banipal
Bassam Frangieh and Clementina Brown have done us all a great service by collaborating to create this bilingual volume.... The Arabic is a reproduction of the poet s own handwritten text of the selected poems, indicating the collaboration of the poet in the project as well.... an excellent introductory volume to the work of this icon of modern Arabic poetry for students and aficionados of Arabic and world poetry. --Clarissa Burt, Journal of Arabic Studies
This superbly presented edition ... will well serve to introduce an American readership to one of the finest 20th century poets of the Middle East. --Midwest Book Review
This book is good ... and it provides real access to Nizar Qabbani s poetry.... These translations ... provoke fitting testimony to the memory of the poet. --Stephen Watts, Banipal
Language Notes
Text: English, Arabic (translation)
Original Language: Arabic
Text: English, Arabic (translation)
Original Language: Arabic
About the Author
Nizar Kabbani was born in Syria in 1923, to a traditional, well-to-do family. He served in Syria s diplomatic corp for more than twenty years (1945-1966), but settled for political reasons in London. He died on April 30, 1998; at his request, he was buried in Damascus.
Nizar Kabbani was born in Syria in 1923, to a traditional, well-to-do family. He served in Syria s diplomatic corp for more than twenty years (1945-1966), but settled for political reasons in London. He died on April 30, 1998; at his request, he was buried in Damascus.
Most helpful customer reviews
23 of 24 people found the following review helpful.
An outstanding poet
By A Customer
Qabbani was revered by generations of Arabs for his sensual andromantic verse. His work was featured not only in his two dozenvolumes of poetry and in regular contributions to the Arabic-language newspaper Al Hayat, but in lyrics sung by Lebanese and Syrian vocalists who helped popularize his work.
The Syrian poet Youssef Karkoutly said in Damascus today that Qabbani had been 'as necessary to our lives as air.'
Through a lifetime of writing, Qabbani made women his main theme and inspiration. He earned a reputation for daring with the publication in 1954 of his first volume of verse, 'Childhood of a Breast,' which broke with the conservative traditions of Arabic literature. But it was not until he resigned from the Syrian diplomatic service in 1966 that Qabbani reached full flower. After the Arab defeat in the 1967 Arab-Israeli war, he founded the Nizar Qabbani publishing house in London, and his became a powerful and eloquent voice of lament for Arab causes.
Qabbani was a committed Arab nationalist and in recent years his poetry and other writings, including essays and journalism, had become more political. But his writing also often fused themes of romantic and political despair, and it sometimes treated the oppression of women as a metaphor for what he saw as the Arabs' cursed fate. In his poem 'Drawing with Words' he wrote: When a man wishes a woman he blows a horn, But when a woman wishes a man she eats the cotton of her pillow.
The Egyptian novelist Mona Helmi said of Qabbani today, 'His greatness came from his ability to put into beautiful words not only the ordinary actions between men and women, but also between the ruler and ruled and the oppressor and the oppressed.'
Gamal el-Ghitanti, the Egyptian novelist and editor of the weekly News of Literature, praised Qabbani as having been 'by any measure a great Arab poet who made a big effort to make his poetry understandable to all people and not only to the elite.'
Qabbani published his first poem, 'The Brunette had Told Me,' in 1944, a year before he graduated with a law degree from the University of Damascus. He held diplomatic posts in Cairo, Ankara, London, Madrid, Beijing and Beirut before resigning, and had lived in London since 1967. But the Syrian capital remained a powerful presence in his poems, most notably in 'The Jasmine Scent of Damascus.' In his later years, Qabbani's poems included a strong strain of anti-authoritarianism. One couplet in particular -- 'O Sultan, my master, if my clothes are ripped and torn it is because your dogs with claws are allowed to tear me' -- is sometimes quoted by Arabs as a kind of wry shorthand for their frustration with life under dictatorship. Still, Qabbani never explicitly criticized his native country or its long-reigning leader, President Hafez al-Assad, and that allowed him to be hailed across Syria as a national hero.
An outstanding poet
By A Customer
Qabbani was revered by generations of Arabs for his sensual andromantic verse. His work was featured not only in his two dozenvolumes of poetry and in regular contributions to the Arabic-language newspaper Al Hayat, but in lyrics sung by Lebanese and Syrian vocalists who helped popularize his work.
The Syrian poet Youssef Karkoutly said in Damascus today that Qabbani had been 'as necessary to our lives as air.'
Through a lifetime of writing, Qabbani made women his main theme and inspiration. He earned a reputation for daring with the publication in 1954 of his first volume of verse, 'Childhood of a Breast,' which broke with the conservative traditions of Arabic literature. But it was not until he resigned from the Syrian diplomatic service in 1966 that Qabbani reached full flower. After the Arab defeat in the 1967 Arab-Israeli war, he founded the Nizar Qabbani publishing house in London, and his became a powerful and eloquent voice of lament for Arab causes.
Qabbani was a committed Arab nationalist and in recent years his poetry and other writings, including essays and journalism, had become more political. But his writing also often fused themes of romantic and political despair, and it sometimes treated the oppression of women as a metaphor for what he saw as the Arabs' cursed fate. In his poem 'Drawing with Words' he wrote: When a man wishes a woman he blows a horn, But when a woman wishes a man she eats the cotton of her pillow.
The Egyptian novelist Mona Helmi said of Qabbani today, 'His greatness came from his ability to put into beautiful words not only the ordinary actions between men and women, but also between the ruler and ruled and the oppressor and the oppressed.'
Gamal el-Ghitanti, the Egyptian novelist and editor of the weekly News of Literature, praised Qabbani as having been 'by any measure a great Arab poet who made a big effort to make his poetry understandable to all people and not only to the elite.'
Qabbani published his first poem, 'The Brunette had Told Me,' in 1944, a year before he graduated with a law degree from the University of Damascus. He held diplomatic posts in Cairo, Ankara, London, Madrid, Beijing and Beirut before resigning, and had lived in London since 1967. But the Syrian capital remained a powerful presence in his poems, most notably in 'The Jasmine Scent of Damascus.' In his later years, Qabbani's poems included a strong strain of anti-authoritarianism. One couplet in particular -- 'O Sultan, my master, if my clothes are ripped and torn it is because your dogs with claws are allowed to tear me' -- is sometimes quoted by Arabs as a kind of wry shorthand for their frustration with life under dictatorship. Still, Qabbani never explicitly criticized his native country or its long-reigning leader, President Hafez al-Assad, and that allowed him to be hailed across Syria as a national hero.
10 of 12 people found the following review helpful.
Unfortunate
By Amazon Customer
This is truly a fine selection from the pen of a master poet of the Arabic language.
If you are a fan of poetry, you cannot help but be moved by the fine and artful translations presented here.
If, however you are looking for an appreciation of the original and you are not a native-level speaker, the volume fails to offer what you might hope to find in a bilingual presentation of a master poet. Due to the unfortunate choice to present the poet's original hand without typeset arabic characters to clarify it, this edition is all but useless as a chrestomathy for the beginning or intermediate student.
Qibbani's cramped, idiosyncrhatic poet's hand, unilluminated here, bars the door to what could otherwise have been an elegant journey into the mind of a true master of the language.
Other bilingual editions of poetries have managed to overcome the urge to present the art of the original pen without the benefit of a clear orthography for non-native speakers who are not professional chirographers. This edition, alas, did not.
Unfortunate
By Amazon Customer
This is truly a fine selection from the pen of a master poet of the Arabic language.
If you are a fan of poetry, you cannot help but be moved by the fine and artful translations presented here.
If, however you are looking for an appreciation of the original and you are not a native-level speaker, the volume fails to offer what you might hope to find in a bilingual presentation of a master poet. Due to the unfortunate choice to present the poet's original hand without typeset arabic characters to clarify it, this edition is all but useless as a chrestomathy for the beginning or intermediate student.
Qibbani's cramped, idiosyncrhatic poet's hand, unilluminated here, bars the door to what could otherwise have been an elegant journey into the mind of a true master of the language.
Other bilingual editions of poetries have managed to overcome the urge to present the art of the original pen without the benefit of a clear orthography for non-native speakers who are not professional chirographers. This edition, alas, did not.
12 of 15 people found the following review helpful.
Arabian love poems
By M. Sabri
Mr. Qabani is very famous in the arab culture. His reputation comes from the sensitive and sentimental poems he writes about love and women. Unfortunately, the collection of poems in this item did not represent well the work he is famous for.
See all 21 customer reviews...Arabian love poems
By M. Sabri
Mr. Qabani is very famous in the arab culture. His reputation comes from the sensitive and sentimental poems he writes about love and women. Unfortunately, the collection of poems in this item did not represent well the work he is famous for.
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